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In the last couple of years, he has been delivering great performance after great performance. Jeff Bridges has been having a great second act in the thespian world. Every little bit of the screen has an image of wonder. The building of ships and cycles are magically and technically amazing. In the decades since the first Tron, computers have changed the entire landscape of cinema. The 3-D effects in the Tron world are a feast for the eyes.
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So, Dad (the Father) and Son (the Son) and Digital Babe (the Spirit) must embark on a spiritual journey to stop Clu (the Devil), Can we say Christ Analogy? With Sam in this world, Kevin realizes that now is the time for things to change. It seems that he has been avoiding battle with Clu in a Zen-like mission to find inner peace in this '0' and '1' world. Very soon Sam is rescued in a visual bike/cycle scene by Quorra (Olivia Wilde) one of the last of her kind and a helper of the real Kevin Flynn (finally the real Jeff Bridges). Sam, by coming to the Grid, has opened the door for both escape and conquest. Clu also has plans to leave this universe and get into the real one. It seems that the real Kevin Flynn has been trapped in this virtual universe trying to find a way to get back. After a few fights and wins, the programs discover that he is human and he is taken to their leader Clu (the CGI of Jeff Bridges). It is a world just like the video world, full of deep black and neon orange colors. Once there, he is immediately captured and forced to go into battle with programs that use ring-discs for combat. As he accidently activates the old computers, Sam is digitally transported into the Grid itself. There are all the plans and machines for the Grid. Sam goes to investigate and finds a secret room that leads to his dad's lab. That night, Kevin's trusted co-worker comes to Sam and tells him that he received a page from Kevin's disconnected phone number at the office/video game center.
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He believes, like his father did, that all computer software and knowledge should be free and open. The night the company his father founded is to release a new computer software, Sam breaks in and steals it posting the system on the Web for free. It is twenty years later and Sam Flynn (Garrett Hedlund) is now a grown man with a bit of mischief in his bones. This is a virtual place where anything imagined can be created. The story starts with young Sam being told by his father Kevin Flynn (a CGI of young Jeff Bridges) all about the world of the Grid. We now have a very long overdue sequel Tron: Legacy. Well, the powers that be at Disney feel that 1982 movie needed a 21st century update. There have always been a legion of people who defend these two Disney titles as great attempts to do something different.
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At the time it, like The Black Hole, was another unsuccessful attempt to win the youth audience. Tron is best known for as the first film to use computer generated images. At the time they made the original film they also made The Black Hole a sci-fi epic with a dour un-Disney feel. The studio was trying to find a way to relate to a Star Wars/ET world and still try to keep the family crown. The original Tron was made at Disney during a time of change.
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Written by Edward Kitsis and Adam Horowitz Httpv://Jeff Bridges Garrett Hedlund and Olivia Wilde Just from his style alone, I’m anticipated that Tron Legacy is going to be a gorgeous film. Check out 10 very impressive works by Joseph Kosinski below. While Tron Legacy is Kosinski’s first full-length feature, he’s directed short films and commercials, most notably those awesome Gears of War television ads that everyone (rightfully) goes so crazy about. It’s directed by Joseph Kosinski, someone I had never heard of – but after a minimal amount of research, I found out that I’m actually familiar with some of his work. I saw a preview for Tron Legacy before Toy Story 3 last weekend and frankly, it looked hella impressive. Most movies released in 3-D IMAX don’t need to be seen in 3-D IMAX (looking at you, Alice in Wonderland), but I think that Tron Legacy is going to be an exception.